All of this is told from 13 years old
Noahs point of view. Three years later, Jude tells us about the
current situation where the twins' roles seem to have switched: Jude
is attending art school, is seclusive, hardly cares for friendships
and keeps boys away from herself, whereas Noah is cool and popular
but gave up drawing. They hardly talk to each other. Jude has a hard
time sculpting in school, all her clay works break mystically. She
believes that her dead mothers ghost is so angry with her that she is
breaking her works. Jude wants to make up for something, and for that
she needs stone, a statue, and a mentor to teach her statuary. She
finds that in the bizarre artist Guillermo – and with him, she
finds Oscar, a mysterious English boy who makes it hard for her to
hold her boycott on boys up.
Incredibly sensitive and gentle Jandy
Nelson guides us through the exceptional twins' emotions. The subject
of the siblings who love each other but still are in concurrence to
each other is rarely found in young adult fiction in a way this
unique. Jandy Nelson combines family drama, LGBT+ literature, coming
of age story and, yes, a love story and manages to find an own style
that is hardly comparable with other authors.
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